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You might remember back in September, when we partnered with Carnegie Fabrics on a dress for IIDA’s annual Stitch Charity Event. The dress was made entirely from window sheers from Creation Baumann [who is represented exclusively in the US by Carnegie] and actually turned out to be a technically complicated dress. While we did not win any of the categories, we were incredibly pleased with the result, as were Carnegie and Creation Baumann. In fact, they were so pleased that Creation Baumann now has the dress on display in their New York City showroom!

If you want to stop by and check it out, it’s in Suite 1522 in the D&D building [979 Third Avenue], and make sure to let them know m+ sent you!

See images from the event and the dress-making process at our website.

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We just added new images of the Lofts at Museum Park project to our website, check them out!

marquardt+ (doing work as Design Collaboratives) was approached by Draper and Kramer to update the lobby and reception of one of their recently-built condo buildings. We worked with the existing architecture to update the look of the lobby in a minimally-invasive way, while also being highly impactful. One of the main things addressed was the existing blue- and yellow-stained concrete floor that was cracking. We created a much more fresh look with scintillating shades of warm grey terazzo, while making sure the expansion joints were near the existing cracks in case any more settling took place, so the cracking would not occur again. This color palette was expanded to the entire space, and the minimal existing wood was expanded and stained a deeper hue.

In the reception area, the existing desk was large and cumbersome, so a more sleek, refined desk was designed that functioned smoothly while working with the rest of the space. A textured panel was also stood-off the front side to allow the security guard to maintain vigilance while also blocking them from the harsh Chicago weather that would invade from the nearby entrance. Lighting also was adjusted and updated, to brighten the space and add more drama.

See the rest at our website.

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Interior Design Magazine’s Best of Year Awards ceremony is tonight, and Tom and Jim are in New York for the event, as the Maya Romanoff Chicago Flagship Showroom is a finalist for best showroom. We’re all very excited and hopeful!

Also finalists in their respective Best Products categories are our friends and clients, Joel Berman Glass Studios and Maya Romanoff. If you happen to see Tom, Jim, Joel, or the Romanoffs, make sure to say hi!

See the rest of the images at our website or the Maya Romanoff case study.

See all the finalists at Interior Design’s Best of Year Awards website.

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It appears that our studio philosophy, which is so important to me personally as well as our studio and team, and a reflection of our most successful clients that continue to thrive in this challenging economic environment, has finally become part of the bigger discussion as expressed in this article on Branding from Fast Company. It is encouraging to see this opinion in more influential press and I find it long overdue; the idea of honesty and authenticity as a core standard in the development of brand and promotion is phenomenal, especially as the world is becoming SO saturated with messages and professionalism built on half-truths, false promises and growing distrust. It was inevitable, but really, just starting to become part of the more mainstream business consciousness. I have always thought of this approach as common sense, but then ethical behavior was instilled in me personally by the lessons and experiences of my upbringing through my parents, Walt and Ginny Marquardt.

As we continue here at m+ to redefine our practice and bring to the forefront the original Marquardt Design Collaboratives mission and intent I first outlined when I formed my independent practice decades ago, we plan on bringing forth even more transparency and authenticity to our client experiences and solutions, in ways not historically exposed by practitioners seen in any of the many areas of services we provide.

When I first read this article it reminded me of our approach to the HON basyx furniture division brand and identity work we executed. We created a complete brand and roll out based on the idea that the product be presented for what it is, not what it could be made to appear as. People buying entry-level office product know they are not going to be receiving high-end executive desking and the quality and prestige expectations that go with that type of product, but you could never tell that to most entry-level manufacturers, who present their product in this false light as a sell. It is standard practice that commercial brand promotions use trust building and enticement as a means for manipulation to achieve their short term goals, with no genuine concern for sustainable return on investment.

No one in this market segment was being honest about what this product really was: cheap, simple, basic product that is easily accessible and extremely inexpensive, which is a great initial furniture investment for a small business. That point, combined with our particular client’s pragmatic, Iowa-based, honest and affordable lean-manufacturing approach that could produce to order and turn around delivery almost instantly, easily informed the solution which created the foundation of our brand strategy work in developing the basyx brand and promise. This new division was entry-level product, supported by the values and truth of the company, for what it was. This was authentic. Subsequently, we created a desire based on the reality of the product, cost, accessibility and the company as it was which provided very successful results.

see our basyx brand development case study

Watch as we (m+) develop more ways to present the realities of brand development, design processes and resulting deliverables. This will include case studies that will expose everything about particular projects we have executed and our clients will share. We will dissect everything from negotiations prior to proposal approvals, to the actual functional outcomes after completion of the work, both successes and the problems, that only become clear months after all the glossy photography is completed, and the work handed over to the client to utilize. We plan on highlighting what we actually do and that means what clients actually pay for – the process, with the deliverable being the result of the process.

We also will be including:

  • examples of specific project contract agreements, how they work and can represent the process honestly and clearly to clients
  • the way fees are determined/presented
  • specific hourly estimates for completed projects both from at the beginning (predicted), and at the end (actual)
  • why sometimes these do not match and the responsibilities we all bring to the table when this occurs

Do note that the information we plan to start sharing is typical of most every design studio of almost any size and type, regardless of what they may “present” prior to project start as part of their marketing efforts to secure work. We think it’s time we start to be as authentic about ourselves as an industry, in addition to looking for it from our clients and in the solutions we provide.

Should we fear that competition will take advantage of this kind of transparency? Well, anyone who knows me knows I don’t spend much time peeking out the front door of the studio worrying how other firms operate to determine my practice’s position or processes. And without core values and intent that are true and real in everything someone does, this becomes useless, empty pieces of information anyone can procure if that is their intent. Our clients can confirm that it is not the form of how we contract or fee structure that makes our work desirable other than being clear, it’s our soul… and how we capture their soul in our work.

Every client loves to be lulled into a trance by sophisticated, imaginary images of the world of perfection. Few are prepared for the reality and contradictions of the process much in the same way that consumers of their product are unprepared for the realities of their products once they buy into the half truths about them. If every step of process and execution is approached with transparency, authenticity and presented to the world with truth, the return on investment will go well beyond the financial successes it will produce for everyone who touches the experience. It could over time, change the world.

This is going to be fun.

From the mind of Tom Marquardt, founder and principal of marquardt+

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OAI, Inc retained marquardt+ (work performed as Design Collaboratives) to provide strategy consultation and collateral materials design and development for the City of Chicago Department of Environment program, Greencorps Chicago.  We worked closely with their team to develop print materials that would stand out in the sea of brochures.  Special thanks to Mandy Toothaker and Lauren Haras for their talent and creativity. Our Alderman loves them!

See the rest at our website.

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We were happy to be approached by Carnegie to work together on a garment for IIDA’s annual Stitch charity fashion show event. This year’s theme was to base a dress off of a local building or designer’s work. We chose to highlight the Toy Store that we are designing in collaboration with our sister firm, Gridwerk Architecture.

Working with our friend Jaysen Goranson, we achieved what we felt was a fantastic dress that, while high art, was still wearable. Check out some of the process images, along with candid shots from the night!

See the rest at our website.

Also be sure to check out the interview at Design Bureau Magazine with Gretchen from our office and our model Michelle Kraker.

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Finally, the beautiful Atlas Carpet Mills Chicago Showroom presentation for 2011. Photography by Jaysen Gorenson

See the rest at our website!

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